Bands that Michael Cavazos introduced me to

Bands that Michael Cavazos introduced me to

1.       Polvo – I had seen the stickers and decals with the word “Polvo” on them on cars parked outside the old Sound Exchange location in Houston TX.  I never knew what they were.  No one I knew mentioned them in conversation.  One day, I got word from Michael that he had made a mix tape of 90 minutes worth of choice Polvo material.  He said he thought I would love it because they did not tune their guitars on purpose.  He came over and we hit play and the fucking awesome noisy riff of “Fractured (Like Chandeliers)” came into my brain, and never left.   I played that mix tape endlessly in my car, and Polvo became one of my favorite bands ever.

2.       Operation Ivy – All I can remember of when Michael introduced me to OpIvy, as the hip kids used to call them, is sitting in the back of a car loaded with Instigators, flying down Highway 59, and blasting these hyper fast songs with freaky syncopated ska beats.  It felt new, like when I first heard Minor Threat.  I dug the shit out of it and soon bought my own copy of their music.

3.       Superchunk – Fuck Superchunk. Ha!

4.       Fugazi – I had heard just one Fugazi album prior to seeing that Michael was the sickest, most intense, most devout Fugazi fan, and through him I began to dig into their catalog.  Man, am I glad I did.  Fugazi is amazing stuff.  13 Songs and Repeater are two of my all-time favorite albums.  Michael and I went to see Fugazi perform and it was bad-ass.  On that night, we coined the term “couch rock” to describe the opening act, Explosions in the Sky, who are better enjoyed sitting on cushy sofa while enjoying intoxicants at home.

5.       Le Tigre – Michael and I both share an obsession with Kathleen Hannah of Bikini Kill and Le Tigre fame.  Jean Instigator and his ladies at the time would always be blasting Bikini Kill, and Michael started playing Le Tigre videos which hooked me.  

6.       The Metroschifter – Kentucky’s own Metroschifter.  Michael bought their Strawberries EP because the cover was awesomely designed.  He is wont to do such things.  I remember listening to it with him and thinking this was some good shit!  I went out and got it myself, and several other Metroschifter albums.  

7.       Sebadoh – Michael knew I was a huge Dinosaur Jr. fanatic, loving their slack ways, and J. Mascis’ sleepy, don’t-really-care drawl.  He was a big fan of the band that Lou Barlow created after being booted from Dinosaur.  Because of this I ended up exploring all of Sebadoh’s music, and thank Mario I did, because the shit is so GREAT.  We have had the chance to see Sebadoh live several times and it always rules.

8.       Drive Like Jehu – Sometimes Michael likes the perfectly produced, immaculately recorded tunes (see the Built to Spill below) and sometimes he likes to blast off!  Drive Like Jehu blasts OFF!  Man, what a weird, disjointed, eminently amazing band!  Michael would praise their LP’s and how bad-ass they were and I had to get me some!  Their self-titled debut and their 2nd LP, Yank Crime, are masterpieces of jagged aggressive noise rock.  That’s what I love!

9.       Built to Spill – beautiful melodies, complex, inter-weaving guitar lines, expert songwriting and amazing musical craft, all wrapped up in the package of a college rock band.  This stuff makes Michael cry from his snake-eye he loves it so much!  I had heard mention of Built to Spill and seen their records reviewed in the magazines, but never got into them until Michael made me a mix-tape containing the choice nugs.  I feel deep into it, and have enjoyed the shit out of BTS ever since.  We went to see them live in concert and it was an amazing thing.  So many guitars!!!  What a bad-ass band.

10.   Slint – This was one of those bands I had heard mention of, like some sort of legend or myth in the indie rock underground, but could never find any of their music (pre-Youtube days) to sample it.  I would hunt it down at record stores to no avail, until Michael lent me the soundtrack to that shitty dull movie “Kids”, which ended on a Slint song, “Good Morning Captain.”  I played that song over and over again, getting more and more sucked into its weirdness and bleak guitar sounds.  It was AWESOME.  I soon found Spiderland and proceeded to fully immerse myself in Slint.  There was no going back.


Ten More Hip Hop Tracks Twisting my Melon, Man.

It is time once again for a run down of the latest Ten Hip Hop tracks I have been blasting in the car ride home from work. Some of these are very recent and a few are tracks I have been jamming for a while or I found digging through some of these guy's back catalog. Remember to turn up the bass and lay low on the treble. As always, thanks to the good folks at Street Flava, especially D Solo!

Future - Xanny Family

Young Thug - Wyclef Jean

Migos - Bad and Bougie

Travis Scott ft. Future - High Fashion

Rae Sremmurd - Real Chill

Future - March Madness

2 Chainz - El Chapo Jr.

Plies - Racks up to My Ear

Rae Sremmurd - No Flex Zone

DJ Chose - Everywhere I Go


RXTT's Ten Latest Hip Hop Tracks He is Obsessing Over

It is yet again time for a list of the ten Hip Hop tracks I have been blasting from my car to survive the 1 hour commute each way to work and back.   As usual, thanks to all the local Houston radio stations, the fellas over at the Sonic Youth Gossip Forum's "Louder's Hip Hop Cafe", and my man D-Solo whose TV show Street Flava still gets lit every Saturday night at 11:00 PM. Not all of these are super current, but I am always digging up older stuff I missed out on.

Rae Sremmurd - Black Beatles

Young Thug - Swizz Beats

Rae Sremmurd - Look Alive

Young Thug - Check

Vince Staples - Norf Norf

Future - Perkys Calling

Lil' Yachty - One Night

Future - Wicked

Migos - Top Floor

Larry League & Lil' Yachty - Top Floor




Paul Mooney laughing makes me feel good.

Four years ago my wife and I had the great honor and pleasure of seeing one of our comedy gods in person, and OH MAN was it amazing!  (Read write-up of that night here: http://5thbuddha.blogspot.com/2012/03/at-improv-in-houston-paul-mooney.html )

Paul Mooney is a comedian of the rarest quality, one able to say anything and everything on his mind, n o matter how rough, raw, uncomfortable or sensitive it may be, and make you either laugh like a lunatic or sit there in shock because you cannot believe what you have just heard.  Richard Pryor, Don Rickles, very few others share this upper strata of bad-ass comedy.

Having said that, Mooney's comedy is not for everyone.  Close-minded people will cower in fear.  Ignorant people will think they are being attacked.  Prejudiced or bigoted people will not understand why they are the butt of the joke.  This is not about whether you are brown skinned or pink skinned as bigoted ideas are ingrained into our American society, and it is the brave comedians who are willing to lay it all out, to rip off the pretty Mickey Mouse Band-Aid hiding the rotten cesspit of bigotry that is always bubbling up in the American narrative.  The fact that Mr. Mooney makes it so funny just undercuts how serious it all is.  I love him so much.

Here are some of his most recent full shows.  Please remember, Paul Mooney is NSFW (Not Safe For Work), NSFC (Not Safe For Children), NSFB (Not Safe For Bigots), NSFI (Not Safe For Ignoramuses), and maybe most of all, NSFS (Not Safe For the Stupid).

PAUL MOONEY - Analyzing White America

PAUL MOONEY - Jesus Is Black

PAUL MOONEY - It's The End Of The World

PAUL MOONEY - Race (Audio Only)

PAUL MOONEY - Masterpiece (Audio Only)


RXTT Favorite: CHUCK BERRY! Ten Faves

Chuck Berry

On Tuesday, October 18, 2016, my main man Chuck Berry will turn 90 years old.  I have always loved Chuck Berry tunes, ever since, as a little kid, I would play old Chuck Berry 7" singles on people's turntables.   I distinctly remember dancing around with friends from church to My Ding-A-Ling...  Ha!
Chuck Berry is Rock & Roll to me.  As I grew up and listened to more music and read more about musicians, I often heard mention of Chuck Berry as a primal, seminal influence on people.  He was one of the first to combine Soul music, Country music, and Rhythm & Blues music into the fiery, energetic, driving music that became Rock & Roll, and he was most definitely the BEST.  Chuck Berry's music does what the best, the very, very best of music does, and that is to make you feel ALIVE! 












RXTT's New Top Ten Current Hip Hop Tracks

The last time I made a list of Ten Current Hip Hop Faves was in June.  It is now nearing October, and the music never stops coming.  Between my old stand-by Street Flava (The SF !), Houston's hip hop radio stations, and the suggestions and recommendations of my pals over at the Sonic Youth Gossip Forum (specifically the good folks in the thread Louder's Hip Hop Cafe, currently in its 5th incarnation), I am always awash with new tunes and old bangers I may have missed, ready to add to my ever-growing Spotify playlist which I title A+ Whip Songs.  

Young Greatness - Ball

Dew Baby, Ft. Visto - Bu$$in Sudz

Young Thug - Future Swag

Rae Sremmurd - By Chance

Ro James - Permission e>

Big Baby D.R.A.M., Ft. Lil Yachty - Broccoli


PARTYNEXTDOOR, ft. Drake - Come and See Me


Kevin Gates - Really Really


Ty Dolla $ign, ft. Travis Scott - 3 Wayz


Future, ft. The Weeknd - Low Life


RXTT Favorite - Deep Space Nine

Notice how no one is smiling?

Deep Space Nine

It is now the year 2016, and we have reached the 50th anniversary of the first airing of Star Trek.  The original Trek series (TOS) was one of my favorite shows when I was young, and I would watch it whenever I could find it airing on the TV.  By the mid-80’s it was very hard to find the reruns on the TV, but I could always go and watch the movies that were being made.  The excitement I felt when I read that a new Star Trek show was being developed was dampened a bit upon watching the first season as it aired in 1987.
  It is generally agreed that season 1 of Star Trek: The Next Generation (TNG) is subpar, as the writers and actors still had to find these new character’s voices, and the influence of the old 60’s Trek show seemed like too heavy a burden to bear.  TNG ended up becoming its own thing, apart from the OG series, and it was very good.  Certain episodes reached true greatness, but the old Trek model of a crew on a ship traveling through the galaxy and exploring new worlds clashed a bit with that era’s awakening of characterization in television dramas.  Everything essentially “reset” after every episode, just like standard television shows.  This was cool in that you could watch any episode in any order and still enjoy them (a must for a show that seeks substantial syndication), but aside from the android Data, none of the characters truly changed or grew with time.  They were essentially archetypes. 
In the OG series, the characters became archetypes for the fans, while the TNG characters seemed to be presented as archetypes from the beginning.  Their backgrounds were only superficially explored, their interpersonal relationships were devoid of conflict, and their motivations were far removed from us regular humans.  This was all as Gene Roddenberry wanted, for he envisioned Star Trek as an example of the idyllic, humanistic, accepting future that humanity could eventually hope to achieve.  TNG achieved this, and is deeply loved by fans, but it did so at the expense of characterization.  The crew, even one as big as the TNG Enterprise one was, sought mainly to solve problems external to themselves.  The only time personal issues were ever addressed was in light-hearted or farcical episodes, such as the ones that “explored” the relationship between Counselor Troi and her mother.  TNG was essentially like a Greek morality play.  The good guys are unbreakably good, honest, hard-working explorers, and nothing will change that.  They were paragons of virtue to be emulated and admired, but they did not reflect the humanity familiar to us humans of the 20th century. 
On January 3rd, 1993 I was a student at the University of Houston and home for the winter holidays.  That day, a new Trek show aired, one that from the start was a different beast than the previous two, and one which would grow to become my all-time favorite Trek.  Deep Space Nine, a show named after its location, was still a show about exploration, but not of the boldly-going-where-no-one-has-gone-before type.  There are many ways for a being to explore the cosmos, and not everyone shares the same appeal of flying from new place to new place, getting a superficial understanding of it, and then moving right along to something new.  This may be the way for those whose thrill is to discover, but Deep Space Nine was a show about those explorers who seek not just to discover, but to understand what they are discovering.  This is a much harder and much more fulfilling end.  In order to frame this exploration, DS9 gave us the most relatable Captain yet, Benjamin Sisko, and instead of having him encounter a new friend/foe/anomaly each week, Sisko had to manage a remote outpost of the Federation, one where dozens of alien races, both from the Federation and from without, had to learn to live together, and he had to do it while raising his teenage son.
James T. Kirk (TOS) was a man devoted to his ship, his crew, and his career.  He never married (at least on the show).  He did not build a family.  He did not seek to educate.  He was first and foremost a swashbuckling leader of men.  He led by force of personality, and by the respect and admiration he engendered in his crew.  His defining trait is his enthusiasm for life.  Jean-Luc Picard (TNG) was a scholar and a diplomat, and every bit the refined European gentleman to Kirk’s farm-raised Iowan.  He too was a single man, devoted to his career, never marrying or fathering children.  He was a moral leader, one whose leadership stemmed from his vast intelligence, his ability to think critically, and the respect he held for both his crew and anyone they encountered.  His defining trait is his emphasis on order and stability, predicated on intellectual, philosophical grounds.  Both Kirk and Picard are archetypes representing the ideal of a man in the era when the shows were made.  

The Sisko don't play!
 Benjamin Sisko (DS9) stands in stark contrast to these two previous Captains.  From the first moment we meet him we learn he is a widower, his wife dying at the hands of Jean-Luc Picard when he was assimilated by the Borg and became Locutus.  He is a single father, raising his son Jake alone.  He is an African-American man, raised in Louisiana by his own widowed father.  He has known a deeper loss than anything in Kirk’s or Picard’s initial characterization.  He initially does his duty begrudgingly, for he nearly quits his commission when assigned to the remote DS9 station seen as the Federation’s boondocks.  Apart from that, he is seen by the people of Bajor, the planet nearest DS9, as The Emissary of the Prophets, a messianic figure.  This is something he initially denies and avoids, but ends up coming to grips with as he matures throughout the show.  In other words, he is a REAL MAN, not an archetype of what a man should be. 
Whereas the Federation in TOS and TNG was a group of humans with a few alien races thrown in (the only alien regularly seen on TOS Enterprise was Spock), the Federation of DS9 better reflected what was supposed to be a conglomerate of wildly different worlds and races.  In this sense it was much more modern than its two older siblings.  The world of DS9 is a lot more like the world we all seem headed for than the antiseptic world of TOS and TNG.  We may all be humans, but we should all revel in our differences just as much as we appreciate all our similarities.  Cooperation, civility, and kindness are great equalizers.  These traits, along with a deep intelligence and a deep sense of empathy, allowed Capt. Sisko to manage a space station where the bar owner is a greedy Ferengi, the security chief is a shapeshifter, the security forces are Bajoran, the tailor is a Cardassian, and the great masses of the galaxy come by regularly to repair their ships, engage in commerce, or just have a little rest and relaxation.  Capt. Sisko was at home in chaos, and he provided stability for all involved.

DS9 was also much messier.   A ship traveling from one place to another can leave its cares behind every episode.  A space station however does not go anywhere.  Issues that arise one day will have repercussions on the next, and could continue to affect people for years.  Religious fanatics will bomb a school in one episode and they will not disappear in the next.  Their concerns and demands must be understood and there are no easy answers, especially for their Emissary.  The audience is taught to expect no pat resolutions, and to instead appreciate the hard work it takes to bring conflicts into non-violent resolutions.  This does not mean that Capt. Sisko is a pacifist, far from it.  Capt. Sisko is the foremost military strategist of all the Trek Captains.  He ends up leading the Federation forces against the Dominion in a war that takes up years, and costs countless hundreds of thousands of lives.  He makes decisions that would be morally repugnant to Kirk or to Picard, but they are still the right decisions to make.  He even falls in love with a woman who turns out to be a smuggler, and ends up arresting and incarcerating her.  The way they reconcile this, and manage to stay together afterwards, and grow in their love for each other is very much like real life. It is through Capt. Sisko that all of the main themes of DS9 are explored.  There are never any easy answers.   
DS9 is a show about the hard choices that must be made in life, and the repercussions of those choices.  When people deride it for being the “morally grey” Trek, I get so upset.  Dichotomous morality is fine for children’s stories and simple comic books, but the world is not that way.  There are very few instances in life where something is truly 100% bad or truly 100% good.  Everything carries its positive and negative effects.  DS9 is the first and only Trek series to deal with this universal truth.  Not a single character remains unchanged, each one in some deep, meaningful way growing from the first episode to the last.  Not a single character reaches the end of the series without a deep sense of loss, even in victory.  Every single one of the characters experiences profound changes, just like in real life.  Nothing is gained without an accompanying loss.  Such is the real world.  It is a masterful thing, looking back on all of it, just how much I as a viewer was affected by the truths of DS9, in ways that neither TOS or TNG ever sought to do.  The very Federation itself, the ground for all Trek fandom to grow from, is challenged and its supposed ideals scrutinized.  The idyllic life of Picard and his crew is only possible because of the stability and regularity inherent in their setting.  Unless something is attacking the Enterprise, life goes on the same as every other day aboard ship.  Capt. Sisko and the crew of DS9 did not have that luxury, and it is very much a luxury. 
One more aspect of DS9 exemplifies the moral relativity inherent in the show itself.  The space station is located near the only stable worm-hole the Federation has ever encountered, allowing near instantaneous travel to an unexplored quadrant of the galaxy.  The people of Bajor believe that their creator gods, the Prophets, live in the wormhole, which they call the Celestial Temple, and that they bestow blessings upon the Bajoran people.  Capt. Sisko is taken to the worm-hole in the very first episode, and is confronted by the Prophets.  They turn out to be an alien race that exists outside of our corporeal, linear time.  Capt. Sisko uses his intelligence to explain to them the reality of his existence, its linear nature, the limited time available to each creature, and the motivation that this mortality imbues in people to better themselves and those around them.  In his role as the Emissary of the Prophets, Capt. Sisko is seen by the Bajorans as a conduit between them and their gods.  A cold, clinical, Roddenberry-esque character would never allow anyone to worship him when they knew the “truth.”  However, Capt. Sisko is very aware of the role that faith plays in many cultures, and the fact that denying that faith can be just as upsetting and damaging to its faithful as reinforcing it.  He has to walk the thinnest line, and he does not always get it right.  His humanity is always at the forefront.  In the series’ last episode, a melancholy meditation on what is lost when something is gained titled “What You Leave Behind,” Capt. Sisko sacrifices himself and is taken to the Celestial Temple/worm-hole to spend eternity.  His son, now a fully orphaned adult, must continue in his life without his father.  The station itself continues without its Captain, and the Bajoran people continue without their Emissary.  The crew we have come to know and love is dispersed to new duties, and will never be together again.  It is both sad and very real.
           I could write for pages and pages about Deep Space Nine.  There is so much I have not even begun to explore here.  This show had the most racially, ethnically, and sexually diverse cast of all the Treks.  Topics such as terrorism, sexuality, war, religious hate, genocide, post-traumatic stress, inter-species romance, racism, greed, etc., are all explored thoughtfully and without pat resolutions.  Whereas in TOS or TNG the crew members are all supposed to be buddies from the start, the crew of DS9 is shown creating, building, and also at times ruining inter-personal relationships in ways that no other Trek has ever explored.  The relations between the Federation and the Klingon Empire are so multi-faceted.  The development of the best villain a Trek TV series ever had, one Gul Dukat, proceeding from a tyrannical military man, to a despot who betrays his own people for greater glory, to a flat-out unhinged lunatic obsessed with how he is viewed by his enemies and former subjugates is an amazing thing.  The addition of the battleship Defiant, the massive supporting cast which were all treated with respect by the writers, the personal growth of each character, the introduction of Section 31, Starfleet’s Secret Police…there is so much.  It is for all these reasons and more than Deep Space Nine is my favorite “flavor” of Star Trek.